Some members of Congress have been talking about repealing Obamacare since the day it became law -- for nothing but political reasons. Because here's the truth: In the six years that have passed since then -- and even as the House and Senate voted to advance Obamacare's repeal this week -- they still haven't come up with a realistic plan to replace it with something better. Obamacare's impacts are clear. More than 20 million people have gained coverage, many for the first time. It's driven the uninsured rate to an all-time low, and it has held the growth of health care costs to the lowest levels in 50 years. So when these members of Congress talk a big game about repealing Obamacare, they have some tough questions to answer. Unprecedented chaos in the health care system -- which is what doctors' and hospitals' associations are warning will happen if repeal goes through -- is not a plan. We need to stand up and stop the rush to repeal -- we can't trust that suddenly, magically congressional leaders will come through this time. Take a stand to stop the rush to repeal Obamacare, and we'll follow up with more actions you can take to stop this irresponsible scheme. These people bent on repeal will undoubtedly come up with something in the coming days that they're going to call a plan. But with so much at stake, we can't take it at face value -- we need to take a good, hard look. Before tearing anything down, Congress should show us their plan to replace our health care, including how they lower costs, keep people covered, and protect people with pre-existing conditions. We won't let them get away with hand-waving and distraction, and we won't let them change the subject. We're going to be saying loud and clear: Calling it a plan doesn't make it one. Let's keep holding their feet to the fire. Sign the petition. Thanks, Katie Katie Hogan Executive Director Organizing for Action Sula -- Saumya's message below from earlier this week is all the more urgent today. Congressional leaders continue to take steps toward dismantling Obamacare -- last night, the Senate voted to advance its repeal. We cannot sit by and let that happen. Right now, pick up the phone and let elected officials know that you will not stand for the repeal of a law that's saving lives and helping millions of Americans get the quality, affordable care they deserve. Rushing to repeal is irresponsible and heartless -- it's up to all of us to speak up. Thanks, Jack Jack Shapiro Director of Policy and Campaigns Organizing for Action FUNAG held the seminar "O Palácio Itamaraty: do Rio de Janeiro a Brasília", in Rio de Janeiro, on 29 and 30 November. As part of the celebrations of the 50th anniversary of the Itamaraty Palace inauguration, on 14 March 2017, and of the transference of the Ministry of Foreign Affairs to Brasilia, on 21 April 2020, the event focused on the architectural, strategic, historic, and artistic aspects of the Palace. It followed and carried on the works of the seminar “A certain idea of Brazil” held by Alexandre de Gusmão Foundation, in Brasilia, on 1, 2, and 3 June. Access Ambassador Sérgio Eduardo Moreira Lima’s (President of FUNAG) – speech at the seminar opening. Access the event’s full program.  More information: http://funag.gov.br/index.php/en/news/1374-seminar-itamaraty-palace-from-rio-de-janeiro-to-brasilia Cecilia Zabala & Philippe Baden Powell: Fronteras About the artists Guitarist, singer, and composer Cecilia Zabala (b. Buenos Aires, 1975) creates original compositions that blend sensitivity, emotion, technique, and intuition throughout her rich career. Her music draws upon a diverse mixture of influence, from Argentine folklore to the contemporary language of the twentieth century to jazz, tango, and Brazilian music. Zabala frequently performs as a soloist and has been a member of several chamber ensembles, including the guitar quartet Cuatro en punto, the tango group Mala Junta, and the duos Las Morochas and Alvarezabala. Her first solo recording, Aguaribay (2007), mixes Argentine folklore repertory with original instrumental and vocals compositions, with guest artists Juan Falú, Quique Sinesi, and Silvia Iriondo. Zabala released her second solo album, Pendiente, in 2008, featuring original compositions and arrangements of works by contemporary composers, moving away from pure folkloric roots towards unusual rhythms and unique melodies with contemporary compositions by Regina Spektor, Marcela Biasi (Brazil), David Aguilar (Mexico), and Diego Penelas (Argentina). Special guests included Marcelo Moguilevsky (bass clarinet), César Lerner (accordion), Luciano Dyzenchauz (double bass), and Rodrigo Quirós (percussion), among other instrumentalists. She recently released a solo CD of original music, El color del Silencio, which she celebrated with a series of concerts in Buenos Aires in June 2016.  Son of Baden Powell and brother of the guitarist Louis Marcel Powell, Philippe Baden Powell (b. 1978) began his classical piano studies at age seven in Baden-Baden, Germany. He later relocated with his family to Rio de Janeiro and began performing as a pianist at age 15 both in Brazil and abroad, with his father and brother and also in solo acts. He studied at the Conservatório Brasileiro de Música and the École Normale de Musique Alfred Cortot (Paris). As a sideman, Powell has performed with Seu Jorge, Maria Bethânia, Flor Purim, Airto Mreira, Roberto Menescal, MarceloD2, Wagner Tiso, Victor Biglione, and Carlos Malta, among others. He was one of the winners of the 2005 Montreux Jazz Piano Solo Competition, and relocated to Europe to begin his career. He released his first album, Estrade de Terra (Dirt Road), on the AdventureMusic label in 2006, featuring mandolinist Hamilton de Holanda and saxophonist Carlos Malta; recorded Um Rio with Márcio Faraco’s ensemble in 2008; co-produced Afrosambajazz for big band with Mário Adnet in 2010; recorded a solo album for AdventureMusic on their Piano Masters series in 2012; and most recently recorded Ludere with trumpeter Rubinho Antunes, bassist Bruno Barbosa, and percussionist Daniel de Paula.  More information:http://www.as-coa.org/events/cecilia-zabala-philippe-baden-powell-fronteras “Jonathas de Andrade: O Peixe” is the first solo museum presentation in the US of the work of Jonathas de Andrade (b. 1982), one of the most promising Brazilian artists of his generation." Jonathas de Andrade was born in Maceió, Brazil, and lives and works in Recife, Brazil. Recent and forthcoming solo exhibitions include the Power Plant, Toronto (2017); Museu de Arte do Rio, Rio de Janeiro (2015); Bonnefantenmuseum, Maastricht (2014); and Kunsthalle Lissabon, Lisbon (2013). He has exhibited in the São Paulo Biennial (2016), SITE Santa Fe Biennial (2016), Performa 15 Biennial (2015), the Gwangju Biennial (2014), the Dakar Biennial (2014), the Lyon Biennial (2013), and the New Museum Triennial (2012), among other major exhibitions. His work has also been included in recent group exhibitions at the Walker Art Center, Minneapolis (2016); the Logan Center for the Arts, Chicago (2016); and the Guggenheim Museum, New York (2014). Sponsors This exhibition is made possible through support provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund and the generosity of Andrea and José Olympio Pereira. Jonathas de Andrade: O Peixe” is the first solo museum presentation in the US of the work of Jonathas de Andrade (b. 1982), one of the most promising Brazilian artists of his generation. Over the last decade, de Andrade has developed works in photography, video, and installation that stem from observations of everyday life in Brazil and what he regards as its “urgencies and discomforts.” In particular, many of de Andrade’s works consider how Brazilian national identity and labor conditions have been constructed against a backdrop of colonialism and slavery. More information: http://www.newmuseum.org/exhibitions/view/jonathas-de-andrade-o-peixe “Jonathas de Andrade: O Peixe” is curated by Natalie Bell, Assistant Curator.

Welcome to a whole new year.  I trust you are getting back into the swing of things and beginning to think about creating something amazing... Yes?  I'm here to help! I just posted a new video series, called Social Media Tuneup! I designed this to give you all the tools you need to improve your social media presence, increase the size of your online footprint, and ultimately drive more traffic to your site, your socials, and your business. This series is the same process we use with our clients at Cyber PR to assess where they are, and bring them to the next level. And I'm offering it to you as a gift. Click To Watch The Video For Part 1:   This is where your influence online begins. Without these three things, you can tweet and Facebook and Instagram until the cows come home, and you won't see an increase in revenue for your business. Each video will give you tips on how to assess your current socials, and suggestions for how you can improve. A new Social Media Tuneup will arrive in your inbox every day, and you will learn not only how to make all your followers into evangelists, but also how to get them to become customers. Every part of Social Media Tuneup is accompanied by a detailed Action Sheet, digging further into each topic.  This is the actual spreadsheet that my team at Cyber PR uses to organize social media posts for clients. Click to Download the Action Sheet  It will help you organize your thoughts, and come up with a coherent strategy for your socials and sign up so you can get the other 10! I wish you a productive and fruitful winter season and I can't wait to see what you have in store! X Ariel PS If You like Part 1 and you want to enroll in the whole series - sign up here:  This is a limited time offer - 4 days only!

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FAREWELL AND WELCOME LUNCHEON TO JOSÉ LUIS PROLA SALINAS AND JOÃO FRANCISCO FRUET JUNIOR

Join Us on January 20, 2017

Time: 12:30 PM to 2:30 PM

Location: The Racquet and Tennis Club, New York, New York

Farewell and welcome luncheon to

José Luis Prola Salinas, Former Regional Manager, Head of North America, Banco do Brasil

João Francisco Fruet Junior, Head of North America, Banco do Brasil

 Limited Space

HISTORY

One To World, formerly Metro International, was founded in 1977 by a group of foreign student advisers at seven New York-area universities, who sought to provide international undergraduate and graduate students with a bridge between their isolated campus environments and the broader New York community. Out of this early effort grew a series of orientation programs and publications designed to help international students cope with the unique demands of living and studying in New York City, while getting them out of the classroom, off campus, and into the community.

Throughout the years, One To World has found that sharing personal experiences is the most effective way to transform citizens of all nations into citizens of the world. In recognition of its role harnessing personal relationships to bridge countries and cultures, Metro International changed its name to One To World in 2008. This new name and tagline--creating global citizens; inspiring a peaceful world--convey a powerful vision that will guide One To World in the coming years.

Now more than ever, creating understanding between individuals from different nations is essential for a better future. By profoundly affecting Americans and international students alike, One To World is creating a worldwide movement of informed critical thinkers, problem solvers and leaders.

More information:

https://one-to-world.org/site/312/About-Us/History

• ADDRESS
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  t. 212.431.1195 | f. 212.941.6291

Tune in to WKCR for the 19th annual Antonio Carlos Jobim Festival this Monday. With this, we will be continuing the tradition of broadcasting the music of Brazil's most famous composer, Antonio Carlos "Tom" Jobim on his birthday. 

Born in Rio de Janeiro in 1927, Jobim reached national fame in 1959 when he collaborated with poet Vinicius de Moraes to compose the score for the movieOrfeu Negro (Black Orpheus), which would go on to win the Palme d'Or at Cannes. Their partnership became one of the most successful in the world, both critically and commercially, with the release of such songs as "Chega de Saudade," "Garota de Ipanema" and "So Tinha de Ser Com Voce." Jobim's Grammy-award winning album with Stan Getz, Getz/Gilberto, confirmed his talent for composition and collaboration on an international level. Jobim also worked with Elis Regina, Sergio Mendes, Astrud Gilberto, Ella Fitzgerald, and Frank Sinatra, among many others. A wide range of Jazz and Pop musicians have interpreted his music, and still other musicians have reinterpreted those interpretations. 

We will feature in studio performances by Jaider de Oliveira plus surprise guests. We will be playing a diverse sample of music from The Art of the Instrumental Bossa Jazz Trios to Francis Albert Sinatra and Antonio Carlos Jobim. The show will start with Phil Schaap and end with German Santana. So, please join us on this exciting adventure between the hours of 12pm-2am.      

Date: 

Mon, 25 Jan 2016, 12:00pm - Tue, 26 Jan 2016, 2:00am

| Columbia University NY 10027 | Studio 212-854-9920 | board@wkcr.org |        More information: https://www.cc-seas.columbia.edu/wkcr/story/19th-annual-antonio-carlos-jobim-festival

How is my family going to respond to this? That's what I've been turning over and over in my mind as I watch Congress moving to repeal Obamacare. In my fifties, I learned why my father died at age 43, and why my paternal grandmother had a series of strokes that rendered her bedridden for most of her life. My family has Fabry, a rare genetic disease -- and one that I unknowingly passed on to both of my daughters. A series of tests demonstrated the degree of damage that had already occurred for us, and the most eye-opening one showed that one of my teenage daughters had already had a stroke. There is no cure for Fabry. The only option as of now is a biweekly enzyme replacement infusion, which isn't a cure-all but at least a step in the right direction. My husband and I are proud of our daughters who, in the midst of their busy young adult lives, face this disease head-on and spend two to six hours in treatment every two weeks. It's not easy. With the cost of each infusion being between $14,000 and $22,000, it's easy to understand that it wouldn't take long for us to reach the lifetime cap insurance companies once imposed before the Affordable Care Act became law. And then what? And what if our daughters become unemployed, forcing them to find insurance with a costly pre-existing condition? Without Obamacare, that would most likely be impossible. The billable cost of treatment without insurance would be horrific. We also know we're not the only family who's afraid of Obamacare being repealed. Take a stand with me -- say you'll help protect the law that's helped so many families, just as it has mine. I cannot tell you how relieved we were when the Affordable Care Act passed and eliminated lifetime caps and denial of coverage based on pre-existing conditions. For our family, it meant living a somewhat normal life, even if we're often in treatment. It's unacceptable that Congress wants to abolish Obamacare instead of building on the successes of the law and continuing to improve access to care for all Americans. Don't stand by and let Congress rip health care away from us -- from so many. We should be taking care of our people, not throwing lives in jeopardy to put points on a political scoreboard. Sign the petition now. Thanks, Debby S. Philadelphia, PA

https://my.barackobama.com/Sign-The-Obamacare-Petition

Join us for our opening reception for Collective Exhibition on Thursday, January 12th at 7 pm! This is our first exhibit of 2017 and we would be glad to welcome you with unique artwork. Please RSVP by replying to this email.