Friday, September 5, 2025

 

Digital Sovereignty from  Latin America by Rodolf Ghannan

 



The Waste of USD 6.6 Billion That Could Cost Sovereignty? Latin America risks losing its digital sovereignty before it even achieves it. According to digital marketing expert Rodolf Mikel Ghannan Neto, Argentina has 17 alternating current (AC) transmission projects underway, totaling USD 6.6 billion, but no high-voltage direct current (HVDC) projects—an essential technology for transporting large blocks of clean energy over long distances, with low loss and complete flow control. It's like paving narrow roads when the entire world already travels on digital highways.

 

Meanwhile, data centers—critical infrastructure for artificial intelligence, the cloud, and e-commerce—are expected to consume 15% of global electricity by 2035. Those who don't offer clean, stable, and affordable energy will be left out of the race. China has already understood this: it's a leader in

 

ultra-HVDC. Europe is building its continental supergrid. And the US is discussing digital sovereignty as a matter of national security.

 

Rodolf states that, according to analyses, Mercosur can't afford to sit back and watch all this, and that our advantage is clear: a renewable energy matrix, abundant water and solar energy, and average costs much more competitive than our global competitors.

 

Digital energy is the new oil. Whoever controls its supply controls the future. Mercosur may be the only ESG-compliant alternative on the planet: abundant clean energy, competitive costs, and an ideal environment to attract hyperscalers (Google, Microsoft, AWS). But the window is short—if we don't act within five years, we will lose our leading role.

 

What to do?

 

Deploy trilateral HVDC (Brazil, Argentina, Chile), with a hub in Córdoba.

 

Sign take-or-pay contracts with hyperscalers, guaranteeing revenue and jobs.

 

Mobilize multilateral institutions (IDB, CAF) to finance integration as a state policy.

 

We don't need another 300-page report. We need political resolve, entrepreneurial courage, and strategic vision. If Mercosur doesn't act now, it will simply be a consumer of artificial intelligence created on other continents.

 

In short, Rodolf Ghannan points out that Latin America's digital sovereignty is threatened by the lack of strategic investment in essential technologies, such as HVDC, which would guarantee clean, stable, and competitive energy. To achieve this sovereignty, Mercosur must act quickly, integrating its resources and attracting global investment, or risk becoming merely a consumer of technology developed on other continents.

Source: Rodolf Ghannan is a specialist in Digital Media and Artificial Intelligence, Artificial Intelligence, with a postgraduate degree from FGV and  degree from MITxPRO |Researcher in energy integration strategies and digital sovereignty in Latin America..


Giorgio Armani dies at 91 in Italy


The news of Giorgio Armani's death yesterdayday, August 4th, marks the end of an era in global fashion. Synonymous with sophistication and elegance, the Italian designer became world-renowned for redefining men's and women's clothing over five decades, deconstructing traditional suits, softening lines, and embracing innovative designs that combine comfort and style.

 

Born in Piacenza, Italy, Armani began his career modestly, working as a window dresser and buyer in a Milan department store after dropping out of medical school. His passion for fashion drove him to seek new paths, and thus, in the 1980s, his brand gained international prominence, winning over celebrities and consumers around the world.

 

Over the years, Armani cemented his reputation as a master of creating clothing that exudes elegance without sacrificing practicality, influencing generations of designers and consumers. His innovative vision and dedication to quality have made his brand a symbol of good taste and refinement.

 

Giorgio Armani's passing leaves an unforgettable legacy in fashion, a career marked by creativity, innovation, and an unwavering commitment to sophistication. His contribution transcends the runway, inspiring lifestyles and defining trends that will endure for decades to come.



Monday, August 18, 2025 at 2:50pm EDT

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SATURDAY, AUGUST 30, 2025

Thursday, September 4, 2025

Dilson Cavalcanti: highlighted at “Between Worlds” Exhibition at the British Brazilian Center in São Paulo


It happened in the last  August 30th, FAASP – São Paulo Social Art Fair, the Entre Mundos Exhibition, took place. It featured renowned Brazilian artist Dilson Cavalcanti, whose work was exhibited at the annual event, promoted by InnGallery, held at the Brazilian-British Center in São Paulo – SP, an occasion that highlighted his talent and creativity.


Curated by Flávia Coelho and Carmem Pousada, the Exhibition presented a selection of works that highlight the diversity and depth of the artistic universe of Brazilian artists, highlighting Cavalcanti, whose work "Melancholia" was one of the exhibition's centerpieces.


The work "Melancholia" – acrylic on canvas measuring 1.70 x 1.40 meters – conveys, through gestures and a mixture of colors, a search for balance and aesthetics, perhaps reflecting the inner unease and anxieties of everyday life. The colors used convey a sense of reflection and hope, symbolizing a light that generates change and continuous transformation. The piece invites the viewer to a Introspection on emotions and the path to inner renewal.


Dilson Cavalcanti, born in Tupanatinga, Pernambuco, has dedicated himself to art for 18 years, exploring abstraction and creating fluid paintings full of colors and elements that make up his visual identity. After gaining recognition with his caricatures of Brazilian female celebrities through the Brazilian Monalisa Project and a tribute to the 500th anniversary of Leonardo da Vinci's death, Cavalcanti gained international recognition, exhibiting his works in Paris, São Paulo, Rio de Janeiro, and several other countries.


With a career marked by innovation and artistic sensitivity, Dilson Cavalcanti continues to explore the limits of expression and reflect on the world around him, winning admirers and critics throughout Brazil and around the world.


For 2026, Cavalcanti is preparing to take a major step in his artistic career with the production of a documentary that will detail his true story and the success of his work, which has achieved significant success and crossed borders. Brazilian Monalisas by Dilson Cavalcanti.


Today, August 30th, FAASP – São Paulo Social Art Fair, the Entre Mundos Exhibition, took place. It featured renowned Brazilian artist Dilson Cavalcanti, whose work was exhibited at the annual event, promoted by InnGallery, held at the Brazilian-British Center in São Paulo – SP, an occasion that highlighted his talent and creativity.


Curated by Flávia Coelho and Carmem Pousada, the Exhibition presented a selection of works that highlight the diversity and depth of the artistic universe of Brazilian artists, highlighting Cavalcanti, whose work "Melancholia" was one of the exhibition's centerpieces.



The work "Melancholia" – acrylic on canvas measuring 1.70 x 1.40 meters – conveys, through gestures and a mixture of colors, a search for balance and aesthetics, perhaps reflecting the inner unease and anxieties of everyday life. The colors used convey a sense of reflection and hope, symbolizing a light that generates change and continuous transformation. The piece invites the viewer to a Introspection on emotions and the path to inner renewal.


Dilson Cavalcanti, born in Tupanatinga, Pernambuco, has dedicated himself to art for 18 years, exploring abstraction and creating fluid paintings full of colors and elements that make up his visual identity. After gaining recognition with his caricatures of Brazilian female celebrities through the Brazilian Monalisa Project and a tribute to the 500th anniversary of Leonardo da Vinci's death, Cavalcanti gained international recognition, exhibiting his works in Paris, São Paulo, Rio de Janeiro, and several other countries.


With a career marked by innovation and artistic sensitivity, Dilson Cavalcanti continues to explore the limits of expression and reflect on the world around him, winning admirers and critics throughout Brazil and around the world.


For 2026, Cavalcanti is preparing to take a major step in his artistic career with the production of a documentary that will detail his true story and the success of his work, which has achieved significant success and crossed borders. Brazilian Monalisas by Dilson Cavalcanti.



                    Dilson Cavalcanti (right) flanked by Flávia Pousada and Carmen Pousada


For contact and more information: Name: José Dilson Cavalcanti

WhatsApp: +55 11 99676 0280

Instagram: @dilsoncavalcanti.art

Facebook: Josedilsoncavalcanti

Email: josedilsoncavalcanti@gmail.com


Source: Press Office

Photo: Press Office

Editing: Sula Costa MTB 0003600/GODilson Cavalcanti (right) flanked by Flávia Pousada and Carmen Pousada



For contact and more information: Name: José Dilson Cavalcanti

WhatsApp: +55 11 99676 0280

Instagram: @dilsoncavalcanti.art

Facebook: Josedilsoncavalcanti

Email: josedilsoncavalcanti@gmail.com


Exhibition “MEME: in the Brazil of memefication” at CCBB SP

 


From August 27 to November 3, 2025, the Banco do Brasil Cultural Center in São Paulo (CCBB SP) will host a new and provocative exhibition: "MEME: in the Brazil of Memefication." Free of charge and open to the public daily from 9:00 AM to 8:00 PM (except Tuesdays), the exhibition celebrates the phenomenon of memes, which has established itself as one of the most influential forms of cultural, social, and political expression in Brazil.

 

The exhibition, curated by Clarissa Diniz and Ismael Monticelli, with the collaboration of the Instagram account @newmemeseum, highlights Brazil as one of the largest producers and consumers of memes in the world, and is also a pioneer in a large-scale exhibition dedicated to this phenomenon. The project offers an immersion in contemporary art, digital culture, and social critique, exploring memefication as a tool for narrating contemporary Brazil with humor, irony, and reflection.

 

The curation breaks down boundaries between different languages, bringing together renowned names in Brazilian art, such as Anna Maria Maiolino, Gretta Sarfaty, Nelson Leirner, and Claudio Tozzi, alongside popular content creators, including Porta dos Fundos, Melted Vídeos, John Drops, Greengo Dictionary, and Alessandra Araújo. Thus, the exhibition highlights the importance of memes as an artistic expression and instrument of social critique, reflecting the diverse voices that make up the Brazilian cultural scene.

 

Sponsored by Banco do Brasil and supported by the Rouanet Law, the exhibition promises a unique experience for the public, who will be able to explore creativity, humor, and social issues through accessible and contemporary language. After its run in São Paulo, the exhibition will travel to Brasília, Belo Horizonte, and Rio de Janeiro, reaffirming its national relevance.

 

Come discover and celebrate the world of memes in the exhibition “MEME: in the Brazil of memefication” and understand how this form of communication shapes and reflects today's Brazilian society.

 

 

CCBB São Paulo presents the 20th Arabic World Movie Festival

 


The 20th Arabic World Film Festival will reach its commemorative edition in 2025, consolidating its position as an important cultural event dedicated to the celebration and dissemination of cinematographic production from the Arab world. Held at the Banco do Brasil Cultural Center (CCBB) in São Paulo, the festival runs from August 16th to September 7th, providing the public with a unique opportunity to explore the diversity, stories, and perspectives of this region, so rich in culture and traditions.

 

For nearly three weeks, the event will screen a moving and gritty documentary featuring testimonies and scenes from the post-COVID-19 Arab world, a mix of loss and regret, strengthening intercultural dialogue and understanding of the social, political, and cultural issues of the Arabic world.

 

The CCBB São Paulo, a traditional venue for prominent cultural events in the city, offers a welcoming and modern structure to host this celebration of Arabic movie, which has been promoting the exchange of experiences and recognition of talent from this vibrant region for two decades.

 

Whether for students or the public interested in expanding their cultural horizons, the 20th Arabic World Film Festival promises to be an unmissable opportunity to delve into the richness of Arab cinema, promoting encounters and reflections that cross borders and connect different cultures.